September 7, 2018

Round The Heart Of Old Galax Vol. 1

County Records 533

Format: Vinyl, LP, Album
Country: US
Released: 1980
Genre: Folk, World, & Country
Style: Country
[Tracklist]
A1 The Old Hickory Cane: Ernest V. Stoneman
A2 Two Little Orphans: Ernest V. Stoneman, Eck Dunford, George Stoneman
A3 No More Goodbyes: Ernest V. Stoneman, Kahle Brewer, Irma Frost
A4 John Hardy: Ernest V. Stoneman, Herbert Sweet, Earl Sweet
A5 Barney McCoy: Eck Dunford, Ernest V. Stoneman, Hattie Stoneman, I. Edwards
A6 There's A Light Lit Up In Galilee: Ernest V. Stoneman, Hattie Stoneman, Eck Dunford
A7 Lonesome Road Blues: Kahle Brewer, Bolen Frost, Ernest V. Stoneman
B1 Flop Eared Mule: Kahle Brewer, Bolen Frost, Ernest V. Stoneman
B2 Tell Mother I Will Meet Her: Ernest V. Stoneman, Kahle Brewer, W. Mooney
B3 Buffalo Gals: Kahle Brewer, Bolen Frost, Ernest V. Stoneman
B4 I Am Resolved: Ernest V. Stoneman, Kahle Brewer, Irma Frost
B5 Sweet Bunch Of Violets: Ernest V. Stoneman, Kahle Brewer
B6 Too Late: Ernest V. Stoneman, Hattie Stoneman, Eck Dunford
B7 New River Train: Herbert Sweet, Earl Sweet, Ernest V. Stoneman
[Credits]
Liner Notes and Producer: Wayne Martin, Cover: Richard Nevins
[Notes]
Features a good cross-section of the musicrecorded commercially in the the 1920s and 30s by Ernest V. "Pop" Stoneman with his family and associates. Stoneman has not been held in high regard by some who value "the Galax Sound," for he was something of an opportunist who carved out a professional career for himself. Yet his repertoire sprang from the diverse streams of tradition found in his home area, and included ballads, sentimental songs, sacred songs, humorous songs, and instrumental music. Many of Stoneman's performances utilized the more or less standard string band alignment of fiddle, guitar, and banjo. Some of the most accomplished instrumentalists from Galax recorded with Stoneman, such as fiddlers Kahle Brewer and Eck Dunford. Stoneman was also one of the few early country musicians to record with a parlour organ, an instrument which has played a large role in many family music traditions in the South. (Reviewed by Paul L. Tyler)

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