Grazz Matazz Music CD S818410
Format: CD, Album
Country: US
Released: 1987
Genre: World, & Country
Style: Bluegrass, Swing Jazz
[Tracklist]
01 Mapleview Rag (2:41)
02 Walkin' One And Only (3:13)
03 Sunburst (4:16)
04 Oh, Lady Be Good (4:09)
05 One Morning In May (3:07)
06 Delinquent Minor (4:21)
07 Send Me On My Way (3:08)
08 Mitch's Dilemma (3:32)
09 After You've Gone (4:21)
10 Yodel Lady (3:19)
11 Fat Man In The Bathtub (9:03)
[Credits]
Al Petteway (guitar/mandolin/bass/vocals) Pat Petterway (vocals/piano/guitar) Akira Otsuka (mandolin/mandola/vocals) Phil Bloch (fiddle) Mike Auldridge (dobro) Carl Fanning (banjo) Ronnie Freeland (percussion) Carolyn Kellock (bass) Béla Fleck (banjo) Larry Dowdy (bass) Pete Kennedy (guitar) Mark Schatz (bass) Carolyn Kellok (cello) Rick Watson (harpsichord) Jethro Bums (mandolin) Fred Smith (bass)
Producer: Robin Siegel, Photographer: Jim Tyndall, Engineer: Bill Wolf
[Notes]
YOU CAN'T judge a band by the company it keeps -- or can you? After listening to "Delinquent Minor" by the local acoustic trio Grazz Matazz, it hardly seems a coincidence that such stellar instrumentalists as Jethro Burns, Mike Auldridge, Bela Fleck and Pete Kennedy would want to contribute to this album. They know a good thing when they hear it. Take the opening tune: Arlo Guthrie's "Mapleview Rag," while a nifty showcase for Auldridge's Dobro, ultimately leaves no doubt that Grazz Matazz' Al Petteway (on guitar) and Akira Otsuka (on mandolin) can play in the big leagues. Fleet yet expressive, their solos distill the rag's southwestern flavor and fit nicely alongside the playing of fiddler Phil Bloch and banjo player Carl Fanning. The remaining member of the band -- rhythm guitarist, pianist and vocalit Pat Petteway -- makes her debut on a finger- popping rendition of Dan Hicks' "Walkin' One and Only." Petteway's reedy soprano voice is just right for western swing tunes. But it also has a decidedly plaintive edge at times, especially on the traditional tune "One Morning in May" and the jazz standard "After You've Gone," delightful performances both. (Mike Joyce/The Washington Post)
Country: US
Released: 1987
Genre: World, & Country
Style: Bluegrass, Swing Jazz
[Tracklist]
01 Mapleview Rag (2:41)
02 Walkin' One And Only (3:13)
03 Sunburst (4:16)
04 Oh, Lady Be Good (4:09)
05 One Morning In May (3:07)
06 Delinquent Minor (4:21)
07 Send Me On My Way (3:08)
08 Mitch's Dilemma (3:32)
09 After You've Gone (4:21)
10 Yodel Lady (3:19)
11 Fat Man In The Bathtub (9:03)
[Credits]
Al Petteway (guitar/mandolin/bass/vocals) Pat Petterway (vocals/piano/guitar) Akira Otsuka (mandolin/mandola/vocals) Phil Bloch (fiddle) Mike Auldridge (dobro) Carl Fanning (banjo) Ronnie Freeland (percussion) Carolyn Kellock (bass) Béla Fleck (banjo) Larry Dowdy (bass) Pete Kennedy (guitar) Mark Schatz (bass) Carolyn Kellok (cello) Rick Watson (harpsichord) Jethro Bums (mandolin) Fred Smith (bass)
Producer: Robin Siegel, Photographer: Jim Tyndall, Engineer: Bill Wolf
[Notes]
YOU CAN'T judge a band by the company it keeps -- or can you? After listening to "Delinquent Minor" by the local acoustic trio Grazz Matazz, it hardly seems a coincidence that such stellar instrumentalists as Jethro Burns, Mike Auldridge, Bela Fleck and Pete Kennedy would want to contribute to this album. They know a good thing when they hear it. Take the opening tune: Arlo Guthrie's "Mapleview Rag," while a nifty showcase for Auldridge's Dobro, ultimately leaves no doubt that Grazz Matazz' Al Petteway (on guitar) and Akira Otsuka (on mandolin) can play in the big leagues. Fleet yet expressive, their solos distill the rag's southwestern flavor and fit nicely alongside the playing of fiddler Phil Bloch and banjo player Carl Fanning. The remaining member of the band -- rhythm guitarist, pianist and vocalit Pat Petteway -- makes her debut on a finger- popping rendition of Dan Hicks' "Walkin' One and Only." Petteway's reedy soprano voice is just right for western swing tunes. But it also has a decidedly plaintive edge at times, especially on the traditional tune "One Morning in May" and the jazz standard "After You've Gone," delightful performances both. (Mike Joyce/The Washington Post)
