Traditional Music From Grayson And Carroll Counties: Songs, Tunes with Fiddle, Banjo and Band

Folkways Records FS-3811

Format: Vinyl, Album, Mono
Country: US
Released: 1962
Genre: Folk, World, & Country
Style: Folk, Bluegrass, Old Time
[Tracklist]
A01 Cluck Old Hen: Vester Jones (3:22)
A02 Soldier's Joy: Glen Smith (2:51)
A03 Polly Put the Kettle On: Glen Smith (2:04)
A04 Ida Red: Wade Ward (1:29)
A05 Devilish Mary: Glen Neaves, Roscoe Russell, and Ivor Melton (2:28)
A06 Old Jimmy Sutton: Vester Jones (2:49)
A07 Fire in the Mountain: Glen and Frank Smith (1:21)
A08 Old Ruby (Old Reuben): Vester Jones (3:26)
A09 Little Love: Glen Smith (2:42)
A10 Sourwood Mountain: Wade Ward (1:07)
A11 Poor Ellen Smith: Vester Jones (2:25)
A12 Mississippi Sawyer: Glen and Frank Smith: (1:56)
A13 Pretty Polly: Ed Spencer (1:29)
B01 Katy Cline: Vester Jones (2:19)
B02 Cindy: Glen Smith (2:10)
B03 Ground Hog: Vester Jones (2:27
B04 Hell Among the Yearlings (Hell Amongst the Yearlings): Glen Smith (2:03)
B05 Sugar Hill: Ed Spencer (1:08)
B06 Old Joe Clark: Vester Jones (2:18)
B07 Johnson Boys: Glen Smith (2:50)
B08 Cripple Creek: Wade Ward (1:06)
B09 Tom Dooley: Glen Neaves, Roscoe Russell, and Ivor Melton (2:12)
B10 Fortune: Glen Smith (3:35)
B11 Pretty Little Willow / Sugarfoot Rag (medley): Glen Smith (1:40)
B12 Sally Goodin': Vester Jones (2:24)
B13 Old Jimmy Sutton: Glen Smith (2:05)
B14 Handsome Molly: Glen Neaves and Roscoe Russell (2:52)
[Credits]
Recorder & Producer: Eric H. Davidson & Paul Newman
[Notes]
Bordering each other in southwestern Virginia, Grayson and Carroll counties have a distinctive musical heritage. An important banjo technique, variously called "clawhammer," "flailing the banjo," or "thumbnoting," captured the interest of collectors Eric Davidson and Paul Newman, who set out to record examples of this indigenous style. Recorded between 1958 and 1961, the songs and tunes are believed to be representative of the traditional musical heritage of the area. How do we know? According to elderly locals, the style of the music on this album is similar to what they remember as far back as their grandparents’ day. Liner notes include a social and musical history of Grayson and Carroll counties, song notes and lyrics, and performer biographies.

Ballads And Songs Of The Blue Ridge Mountains

Asch Records‎ AH-3831

Format: Vinyl, LP, Album
Country: United States
Released: 1968
Genre: Folk, World, & Country
Style: Country, Folk
[Tracklist]
A1 The Hanging of Georgie: Paul Joines (1:34)
A2 Returning Sweetheart: Sarah Hawkes (1:54)
A3 Barbry Allen: Granny Porter and Wade Ward (2:43)
A4 The Young Men and Maids: Paul Joines (2:19)
A5 The Green Willow Tree: Paul Joines (4:21)
A6 Ho Lilly Ho: Sarah Hawkes (2:15)
A7 Walkin' in the Parlor: Kilby Reeves (1:22)
A8 Little Sparrow: Sarah Hawkes (1:50)
A9 County Jail: Kilby Reeves (1:50)
A10 Warfare is A-Raging: Aunt Polly Joines (1:22)
A11 Pig in a Pen: Spud Gravely and Glen Smith (2:31)
A12 Roving Ranger: Paul Joines (2:52)
B1 Pretty Polly: The Cruel Ship's Carpenter (2:09)
B2 George Allen: Lady Alice (1:16)
B3 Roving Gambler: Hobart and Larry Delp with Joe Kyles (2:28)
B4 Ten Thousand Miles: Ruby Vass (3:22)
B5 1809: Glen Neaves (3:12)
B6 Little Maggie: Ivor Melton, Cullen Galyean and Claudine Lambert (3:36)
B7 Death Of The Lawson Family: Glen Neaves (1:55)
B8 Lonesome Day: Ruby Vass (2:13)
B9 Budded Roses: Paul Jones and Cliff Evans (2:35)
[Credits]
Liner Notes: Eric Davidson and Paul Newman
[Notes]
Stemming from a want to preserve the dwindling unique oral traditions of the Blue Ridge Mountain back-country region, Eric Davidson, Paul Newman and Caleb Finch performed field recordings of songs that exemplified the evolution of ballads in the region, creating an anthology of music that characterized the musical mountain traditions. Originating from folk music of the British Isles, many of the songs are performed with little or no instrumental accompaniment. These beautiful archaic folk melodies have retained their roots in the ballad and lament tradition, sung here by both men and women (traditionally ballads were sung only by women) with occasional lively banjo accompaniments.