Format: 5 x CD, Compilation
Country: US
Released: 2000
Genre: Folk, World, & Country
Style: Folk, Struggle & Protest
[Disk One}
01 Links on the Chain: The Broadside Singers with Phil Ochs (4:15)
02 Blowin' in the Wind: The New World Singers (2:32)
03 Paths of Victory: The Broadside Singers (1:38)
04 The Ballad of Ira Hayes: Peter La Farge (3:35)
05 Ain't That News?: The Broadside Singers with Tom Paxton (1:40)
06 The Times I've Had: The Broadside Singers with Phil Ochs (2:53)
07 Go Limp: Matt McGinn (2:33)
08 Ding Dong Dollar: The Glasgow Song Guild (1:58)
09 Mack the Bomb: Pete Seeger (2:40)
10 The Civil Defense Sign: Mark Spoelstra (3:50)
11 Let Me Die in My Footsteps: Happy Traum and Bob Dylan (3:42)
12 Hiroshima, Nagasaki Russian Roulette: Jim Page (4:52)
13 What Have They Done to the Rain?: Malvina Reynolds (2:18)
14 Ballad of William Worthy: Phil Ochs (2:09)
15 Train for Auschwitz: Tom Paxton (3:50)
16 Do as the Doukhobors Do: Pete Seeger (2:12)
17 Christine: The Broadside Singers with Tom Paxton (2:21)
18 As Long as the Grass Shall Grow: Peter La Farge (5:06)
[Disk Two]
01 John Brown: Bob Dylan (4:19)
02 Take Me for a Walk (Morning Dew): Bonnie Dobson (4:19)
03 The Willing Conscript: Pete Seeger (2:16)
04 Kill for Peace: The Fugs (2:12)
05 Plains of Nebrasky-o: Eric Andersen and Phil Ochs (2:50)
06 Benny Kid Paret: Gil Turner (3:44)
07 What Did You Learn in School Today?: Tom Paxton (2:01)
08 Changin' Hands: The Broadside Singers with Phil Ochs (2:40)
09 Welcome, Welcome Emigranté: The Broadside Singers with Buffy Sainte-Marie (2:06)
10 Shady Acres: Janis Ian (3:24)
11 Lord, Hold Back the Waters: Will McLean (3:50)
12 Ballad of Donald White: Bob Dylan (4:31)
13 Song for Patty: Sammy Walker (5:54)
14 A Very Close Friend of Mine: Richard Black (2:35)
15 Long Time Troubled Road: Eric Andersen (3:22)
16 Hard Rain's A-Gonna Fall: Pete Seeger (5:19)
[Disk Three]
01 Mississippi Goddam: Nina Simone (4:59)
02 We'll Never Turn Back: The Freedom Singers (3:34)
03 Freedom Riders: Phil Ochs (2:15)
04 Father's Grave (for Cordell Reagon): The Broadside Singers with Len Chandler (3:49)
05 Baby, I've Been Thinking (Society's Child): Janis Ian (2:44)
06 I'm Going To Get My Baby Out Of Jail: Len Chandler and Bernice Johnson Reagon (5:03)
07 The Ballad Of Martin Luther King: Mike Millius (2:57)
08 Carry It On: The Broadside Singers with Len Chandler (3:17)
09 Birmingham Sunday: Richard Fariña (4:01)
10 The Migrant's Song: Danny Valdez and Augustin Lira (5:08)
11 El Picket Sign: El Teatro Campesino (3:15)
12 La Lucha Continuará: Danny and Judy Rose-Redwood (5:26)
13 Contra La Por (Against Fear): Raimon (1:55)
14 Mrs. Clara Sullivan's Letter: Pete Seeger (2:23)
15 If It Wasn't For The Union: Matt McGinn (2:57)
16 More Good Men Going Down: The Broadside Singers with David Blue (3:00)
17 Sundown: Sis Cunningham (5:56)
18 My Oklahoma Home (It Blowed Away): Sis Cunningham (5:01)
19 Draglines: Deborah Silverstein & The New Harmony Sisterhood Band (3:22)
320 My Father's Mansion's Many Rooms: Pete Seeger (2:05)
[Disk Four]
01 Pinkville Helicopter: Thom Parrott (3:50)
02 Hell No, I Ain't Gonna Go: Matt Jones and Elaine Laron (3:28)
03 We Seek No Wider War: Phil Ochs (4:19)
04 Waist Deep In The Big Muddy: Pete Seeger (3:03)
05 Vietnam: Paul Kaplan (5:45)
06 Hole In The Ground: Thom Parrott (3:53)
07 To Be A Killer: Wes Houston (1:51)
08 New York J-D Blues: Pete Seeger (6:00)
09 Little Boxes: Malvina Reynolds (2:11)
10 Not Enough To Live On But A Little Too Much To Die: Mike Millius (2:21)
11 The Faucets Are Dripping: Malvina Reynolds (3:51)
12 Bizzness Ain't Dead: The New World Singers (2:31)
13 Business: Pete Seeger (2:07)
14 Legal-Illegal: Ewan MacColl and Peggy Seeger (4:10)
15 Brown Water And Blood: Jeff Ampolsk (3:50)
16 The Aberfan Coal Tip Tragedy: Thom Parrott (5:11)
17 Lafayette: Lucinda Williams (3:48)
18 The Ballad Of Earl Durand: Charlie Brown (7:23)
19 Plastic Jesus: Ernie Marrs, Bud Foote, Eleanor Walden, and Danny Smith (3:40)
[Disk Five]
01 Burn, Baby, Burn: Jimmy Collier and Frederick Douglass Kirkpatrick (4:16)
02 The Cities Are Burning: Jimmy Collier and Frederick Douglass Kirkpatrick (3:45)
03 Nothing But His Blood: Jimmy Collier and Frederick Douglass Kirkpatrick (2:56)
04 You're Just A Laughing Fool: Jimmy Collier and Frederick Douglass Kirkpatrick (3:26)
05 Time Is Running Out: Wendy Smith (2:56)
06 But If I Ask Them: Sis Cunningham (4:49)
07 Ragamuffin Minstrel Boy: Sammy Walker (2:47)
08 Changes: Phil Ochs (4:19)
09 Bound For Glory: Sammy Walker and Phil Ochs (4:06)
10 Victor Jara: Arlo Guthrie (4:20)
11 We Will Never Give Up: Kristin Lems (3:49)
12 Inez: Bev Grant and the Human Condition (3:00)
13 Gonna Be An Engineer: Peggy Seeger (4:32)
14 Don't Talk To Strangers: Chris Gaylord (7:34)
15 Catcher In The Rye: Sammy Walker (4:40)
16 The Time Will Come: Elaine White (4:51)
[Credits]
Producer and Liner Notes: Ronald D. Cohen and Jeff Place, Liner Notes: Anthony Seeger, Engineer: Pete Reiniger
[Notes]
The Best of Broadside, Anthems of the American Underground from the Pages of Broadside Magazine. Eighty-nine songs, including some never commercially released. Compiled and annotated by Jeff Place and Ronald D. Cohen. A five CD boxed set. Broadside was a small underground magazine smuggled out of a New York City housing project in a baby carriage, filled with new songs by artists who were too creative for the folkies and too radical for the establishment. A still-underground Bob Dylan, Janis Ian, Rev. Frederick Douglass Kirkpatrick, Phil Ochs, Malvina Reynolds, Buffy Sainte-Marie, Pete Seeger, and dozens of others first published songs like "Blowin' in the Wind," "Little Boxes," and "Society's Child," in Broadside. The Best of Broadside features 89 songs from the Folkways collection, tapes from the Broadside magazine office, and some tracks released on other labels. The set contains a variety of performers, topics, and musical styles that tell tales spanning the 25 years of the Broadside era (1962-1988), but many of them address contemporary issues as well, since the new millennium has not see the end of warfare, nuclear threat, ethnic conflict, immigrants' suffering, women's unequal rights, ecological devastation, and social injustice. This is the underground music that fueled the innocent-sounding Folk Revival on the one hand and the explosions of angry rock and rap on the other. The Best of Broadside brings an era, its musicians, and its many stories to a new audience. The extensive notes feature the graphics of the original Broadside magazine and provide information on the careers of its many musicians with extensive discographies, the stories behind most of the songs as well as their full texts. They also describe the dramatic history of the magazine itself—a remarkable achievement of dedicated musicians and social activists.
March 28, 2022
The Best of Broadside 1962-1988
January 7, 2022
Broadside Ballads Vol. 1
Format: Vinyl, LP, Album, Compilation, Reissue
Country: US
Released: 1963
Genre: Folk, World, & Country
Style: Folk
[Tracklist]
A1 Blowing in the Wind: The New World Singers (2:33)
A2 The Ballad of Old Monroe: Pete Seeger (5:15)
A3 John Brown: Blind Boy Grunt (Bob Dylan) (4:24)
A4 As Long as the Grass Shall Grow: Peter La Farge (5:10)
A5 The Ballad of William Worthy: Phil Ochs (2:11)
A6 Benny Kid Paret: Gil Turner (3:45)
B1 Faubus Foibles: Peter La Farge (1:49)
B2 I Will Not Go Down Under the Ground: Happy Traum with Bob Dylan (3:42)
B3 Only a Hobo: Blind Boy Grunt (Bob Dylan) (2:01)
B4 Talking Devil: Blind Boy Grunt (Bob Dylan) (0:53)
B5 Ain't Gonna Let Segregation Turn Us Around: The Freedom Singers (2:36)
B6 Go Limp: Matt McGinn (2:32)
B7 Bizzness Ain't Dead: The New World Singers (2:32)
B8 The Civil Defense Sign: Mark Spoelstra (3:53)
B9 I Can See a New Day: The New World Singers (4:00)
[Credits]
Producer: Sis Cunningham, Liner Notes: Gordon Friesen
[Notes]
First released in 1963, and later reissued by Smithsonian Folkways to commemorate the folk publication Broadside Magazine, Broadside Ballads, Vol. 1 features artists such as Blind Boy Grunt (Bob Dylan), Peter La Farge, Phil Ochs, and Pete Seeger. With topical songs that vary in subject from civil rights to Vietnam and the nuclear arms race, Broadside Ballads, Vol. 1 is at once a staunch and elucidating account of a generation at odds with the world around it. Recorded in Broadside’s cramped New York apartment, the album is spontaneous and intimate in approach and features vocals, guitar, banjo, and drums. Contains the tracks "The Ballad of Old Monroe," "Faubus Foibles," "I Will Not Go Down Under the Ground (Let Me Die in My Footsteps)," "Only a Hobo," "Talking Devil," "Ain’t Gonna Let Segregation Turn Us Around," and "I Can See a New Day," which are not on The Best of Broadside 1962-1988.
December 18, 2021
Elizabeth Mitchell: The Sounding Joy
Format: CD, Album
Country: US
Released: 2013
Genre: Folk, World, & Country
Style: Folk
[Tracklist]
01 Oh, Mary And The Baby, Sweet Lamb (1:36)
02 Mary Had A Baby (3:11)
03 Rise Up, Shepherd, And Follow (2:43)
04 January, February (Last Month Of The Year) (4:00)
05 Joseph And Mary (The Cherry Tree Carol) (4:40)
06 Shine Like A Star In The Morning (2:19)
07 Joy To The World (3:06)
0 Christmas Day In The Morning (2:19)
9 Mother's Child (Child Of God) (2:28)
10 Sting-A-Lamb (1:56)
11 Great Big Stars (1:34)
12 Baby Born Today (2:37)
13 Ain't That A-Rockin' All Night (1:57)
14 Cradle Hymn (2:41)
15 Bright Morning Stars Are Rising (3:14)
16 Sing Hallelu (1:46)
17 The First Noel (2:41)
18 The Blessings Of Mary (4:05)
19 Oh, Watch The Stars (2:17)
20 Lo, How A Rose E'er Blooming (1:42)
21 Mary Was The Queen Of Galilee (2:25)
22 Silent Night (3:22)
23 Singing In The Land (5:48)
24 Children, Go Where I Send Thee (6:56)
[Credits]
Elizabeth Mitchell (harmonium/vocals) Warren Defever (bass/guitar) Byron Isaacs (bass/guitar) Nancy Chusid (Bass) Molly Mason (bass/dulcimer) Larry Campbell (banjo/mandolin) Michael Merenda (vanjo/vocals) Suzan-Lori Parks (harmonica/washboard/vocals) John Sebastian (harmonica/vocals) Peggy Seeger (guitar/vocals) Happy Traum (guitar/vocals) Ruth Ungar (fiddle/vocals) Dan Zanes (harmonica/vocals) Chris Wood (bass/vocals) Clem Waldmann (drums/percussion) Jay Ungar (banjo/fiddle/viola) Kirsten Jacobson (flute/piano) Elizabeth Jerez-Clarke (harp) Jean Cook (fiddle) Abby Newton (cello) Emily Schaad (viola)Gail Ann Dorsey (vocals) Ken Ejinkonye (vocals) Lyn Hardy (vocals) Amy Helm (vocals) Michael Littleton (vocals) Penny Littleton (vocals) Storey Littleton (vocals) Natalie Merchan (vocals) Aoife O'Donovan (vocals) Joan Osborne (vocals) Anna Padgett (vocals) Sophia Reynolds (vocals) Simi Stone (vocals) Teresa Williams (vocals)
Daniel Littleton (bells/guitar/harmonica/harmonium/kalimba/percussion/piano/xylophone/vocals)
Producer & Liner Notes: Elizabeth Mitchell & Daniel Littleton, Liner Notes: Natalie Merchant, Cover Artwork: Brian Selznick, Designer: Sonya Cohen Cramerr, Photographer: Jana Leon, Engineers: Justin Guip, Elijah Walker & Pete Reiniger
[Notes]
The Sounding Joy is a spirited collection of folk carols drawn from Ruth Crawford Seeger's 1953 songbook American Folk Songs for Christmas. Featuring Elizabeth Mitchell and a luminary list of her musical family, friends, and neighbors, this album celebrates the spirit of community and homespun traditions that existed in times before the commercialization of Christmas. Natalie Merchant, Aoife O'Donovan, Amy Helm, John Sebastian, Dan Zanes, Happy Traum, and many others including special guest Peggy Seeger all add their voices to pay tribute to a collection revered in the canon of American Music. 70 minutes, 32-page booklet with photos.
February 10, 2018
Woodstock Moutains: More Music From Mud Acres
Country: US
Released: 1977
Genre: Folk, World, & Country
Style: Bluegrass, Folk, Country
[Tracklist]
A1 Bluegrass Boy (3:17)
A2 Cold Front (3:09)
A3 Sleep With One Eye Open (3:10)
A4 Killing The Blues (3:47)
A5 Waiting For A Train (3:03)
A6 Morning Blues (2:37)
A7 Weary Blues (2:47)
B1 Mason Dixon's On The Line (2:23)
B2 My Love Is But A Lassie Yet (1:05)
B3 Woodstock Mountains (3:43)
B4 Long Journey (2:45)
B5 Sally Ann (2:50)
B6 Barbed Wire (3:00)
B7 Whole World 'Round (2:15)
B8 Amazing Race (2:28)
[Credits]
Artie Traum (guitar/vocals) Happy Traum (banjo/melodica) John Herald (guitar/vocals) Eric Andersen (guitar/vocals) Paul Siebel (guitar/vocals) John Sebastian (vocals) Lee Berg (vocals) Rory Block (vocals) Bill Keith (banjo) Jim Rooney (guitar) Pat Alger (guitar) John Sebastian (harmonica) Paul Butterfield (harmonica) Gordon Titcomb (mandolin) Roly Salley (bass)
Producers: Artie Traum, Happy Traum and George James, Designer: Pat Alger, Photographer: Ceci Sebastian, Engineers: John Holbrook, Thomas Mark and John Nagy
[Notes]
"Woodstock Mountain: More Music from Mud Acres" features Pat Alger, Happy and Artie Traum, Eric Andersen, Lee Berg, Rory Block, Paul Butterfield, John Herald, Bill Keith, Jim Rooney, Roly Salley, John Sebastian and Paul Siebel. This album brought it all together! Their peak. Recorded at Bearsville Sound Studios, Bearsville, N.Y., on January 13-15, 1977.
May 19, 2017
Mud Acres: Music Among Friends
Country: US
Released: 1972
Genre: Folk, World, & Country
Style: Bluegrass, Folk, Country
[Tracklist]
A1 Cowpoke (1:27)
A2 Done Laid Around (2:50)
A3 Darlin' Corey Is Gone (3:29)
A4 Titanic (4:02)
A5 Give Me Back My Fifteen Cents (1:49)
A6 Out Of Joint (1:47)
A7 Jackhammer Blues (2:53)
A8 Oh, The Rain (4:56)
B1 Hobo Blues (3:12)
B2 Off To Sea Once More (4:21)
B3 Fifteen Miles To Birmingham (2:35)
B4 Lonesome Pines (3:44)
B5 Prison Wall Blues )2:20)
B6 Parting Friends (1:38)
B7 Mud Acres (2:04)
[Credits]
Performers: Artie Traum, Bill Keith, Eric Kaz, Happy Traum, Jim Rooney, John Herald, Lee Berg, Maria Muldaur and Tony Brown
Liner Notes: Happy Traum, Designer: Lloyd Ziff, Photographers: David Gahr & Lloyd Ziff, Engineers:Jim Rooney & Mark Harmen
[Notes]
Music Among Friends' was just that – an album concept brought to the fledgling Rounder Records in 1971 by Happy & Artie Traum, and featuring a wide variety of their musical friends from the Woodstock area. Happy Traum, Artie Traum, Maria Muldaur, John Herald, Eric Kaz, Jim Rooney, Bill Keith, Tony Brown, and Lee Berg, yielding an album that was at once relaxed, spirited and diverse yet very coherent. As so many of the folk labels of the early Sixties left folk music seeking greener pastures, 'Mud Acres' captivated listeners hungry for music that better embodied a real sense of community emblematic of the times. This is the album that spawned several successors over the following years.