Across the Blueridge Mountains with Harley Allen

Folkways Records – FTS 31076

Format: Vinyl, LP, Album
Country: US
Released: 1983
Genre: Folk, World, & Country
Style: Bluegrass
[Tracklist]
A1 Carolina in the Pines (2:45)
A2 Dirt in My Face (2:54)
A3 Wildwood Flower Blues (2:40)
A4 Letters Have No Arms (2:49)
A5 Loving Another Man (2:24)
B1 Hey (2:58)
B2 Are You From Dixie? (3:15)
B3 Mandolin Man (3:03)
B4 Across the Blue Ridge Mountains (2:31)
B5 Things Have Changed (3:20)
[Credits]
Harley Allen (guitar/mandolin/vocals) Mike Lilly (banjo/vocals) Scott Adams (mandolin) Steve Bryant (electric bass) J.D. Crowe (banjo) Vassar Clements (fiddle) Josh Graves (dobro) Larry Nager (acoustic bass) Kathy Chiavoh (vocals) Jr. Bennett (fiddle)
Producer: Red Allen, Designer: Ronald Clyne, Engineer: Jr. Bennett
[Notes]
Harley Allen, son of prominent bluegrass singer (and Folkways recording artist) Red Allen, strikes out on his own in this inaugural recording. He is ably assisted by nine bluegrass musicians, including J.D. Crowe (banjo), Vassar Clements (fiddle), and Josh Graves (dobro). Red produced the recording. Like his father, Harley Allen is an exponent of the "high lonesome sound," a highly regarded vocal technique in mountain music, whether traditional or bluegrass. Harley explains his approach to bluegrass music in the following way: "Even though my brothers and I have experimented with the boundaries of bluegrass music, I wanted my first solo effort to be fairly straight 'grass.' I feel this album is."

Red Allen and Friends

Folkways Records – FTS 31088

Format: Vinyl, LP, Album
Country: US
Released: 1981
Genre: Folk, World, & Country
Style: Bluegrass
[Tracklist]
A1 She's Country (2:14)
A2 Dig A Hole In The Meadow (2:20)
A3 Stone Wall (2:52)
A4 Bill Cheatum (2:25)
A5 Troubles Round My Door (2:38)
B1 Hello City Limits (2:12)
B2 Sweet Love Ain't Around (3:04)
B3 Gold Watch & Chain (1:57)
B4 Bad News (2:44)
B5 Fire On The Mountain (1:48)
[Credits]
Red Allen (guitar/lead vocals) Harley Allen (guitar/tenor vocals) Greg Allen (baritone vocals) John Farmer (banjo) John McEuen (banjo) Steve Scruggs (banjo) Vassar Clements (fiddle) Marty Stuart (mandolin/guitar) Randy Scruggs (guitar) Gary Scruggs (harp) Terry Smith (bass)
[Notes]
Veteran bluegrass performer Red Allen (1930–1993) collaborates with sons Harley and Doug and several musician friends on this 1981 album. Among the friends joining Allen are Grammy-winning fiddler Vassar Clements, mandolin and guitar player Marty Stuart, and Scruggs brothers Randy (guitar), Gary (harp), and Steve (banjo). The playlist includes traditional and modern bluegrass songs including "Bill Cheatum," "Fire on the Mountain," Red Allen's "Trouble 'Round My Door," and John D. Lautermilk's "Bad News."

Bill Monroe: Anthology

MCA Nashville / Decca 088 113 207-2

Format: 2 x CD, Compilation
Country: United States
Released: 2003
Genre: Folk, World, & Country
Style: Bluegrass
[Tracklist]
1-01 New Mule Skinner Blues (02:30)
1-02 My Little Georgia Rose (03:06)
1-03 Uncle Pen (02:45)
1-04 Raw Hide (02:36)
1-05 Kentucky Waltz (03:16)
1-06 When The Cactus Is In Bloom (02:04)
1-07 Get Down On Your Knees And Pray (03:01)
1-08 In The Pines (03:11)
1-09 Footprints In The Snow (02:40)
1-10 Walking In Jerusalem (02:00)
1-11 Get Up John (02:11)
1-12 On And On (02:47)
1-13 I'm Working On A Building (2:43)
1-14 Blue Moon Of Kentucky (02:08)
1-15 Roanoke (02:39)
1-16 Goodbye Old Pal (02:04)
1-17 Molly & Tenbrooks (02:22)
1-18 I'm Sitting On Top Of The World (02:18)
1-19 I Saw The Light (02:30)
1-20 Scotland (01:55)
1-21 Panhandle Country (02:05)
1-22 Gotta Travel On (02:34)
1-23 Big Mon (02:17)
1-24 Linda Lou (02:10)
1-25 Lonesome Road Blues (02:28)
2-01 Time Changes Everything (02:15)
2-02 I'm Going Back To Old Kentucky (02:23)
2-03 Toy Heart (02:15)
2-04 Live And Let Live (02:40)
2-05 Old Joe Clark (02:24)
2-06 Columbus Stockade Blues (03:05)
2-07 Drifting Too Far From The Shore (02:29)
2-08 Somebody Touched Me (02:32)
2-09 Jimmy Brown The Newsboy (02:26)
2-10 I'm So Lonesome I Could Cry (02:13)
2-11 Devil's Dream (02:24)
2-12 Highway Of Sorrow (02:22)
2-13 Roll On Buddy, Roll On (02:11)
2-14 (We're Going) Just Over In The Glory Land (02:23)
2-15 Fire On The Mountain (02:05)
2-16 The Long Black Veil (02:40)
2-17 I Wonder Where You Are Tonight (02:34)
2-18 Dusty Miller (02:19)
2-19 Midnight On The Stormy Deep (03:42)
2-20 Sally Goodin (03:15)
2-21 Walls Of Time (03:19)
2-22 I Haven't Seen Mary In Years (03:04)
2-23 With Body And Soul (03:06)
2-24 Walk Softly On This Heart Of Mine (02:35)
2-25 My Last Days On Earth (04:42)
[Credits]
Bill Monroe (mandolin/vocals) James Monroe (bass/guitar/vocals) Jimmy Martin (guitar/vocals) Carter Stanley (guitar/vocals) Edd Mayfield (guitar/vocals) Del McCoury (guitar/vocals) Jimmy Maynard (guitar/vocals) Franklin G. Buchanan (guitar/vocals) Roland White (guitar/vocals) Peter Rowan (guitar/vocals) Rudy Lyle (banjo/vocals) Charlie Cline (fiddle/ocals) Kenny Baker (vocals) Boudleaux Bryant (vocals) Milton Estes (vocals) Culley Holt (vocals) Arlene Hardin (vocals) Bobby Hardin (vocals) Cindy Nelson (vocals) Curtis Young (vocals) Carl Butler (guitar) Jack Cooke (guitar) Jimmy Elrod (guitar) Grady Martin (guitar) Norman Blake (guitar) Jackie Phelps (guitar) Jimmy Selph (guitar) Joe Stuart (banjo/fiddle/guitar) Hubert Davis (banjo) Joe Drumright (banjo) Tony Ellis (banjo) Lamar Grier (banjo) Lonnie Hoppers (banjo) Vic Jordan (banjo) Bill Keith (banjo) Don Lineberger (banjo) Curtis McPeake (banjo) Robert Lee Pennington (banjo) Don Stover (banjo) Rual Yarbrough (banjo) Sonny Osborne (banjo) Gordon Terry (fiddle/vocals) Vassar Clements (fiddle) Red Hayes (fiddle) Tommy Jackson (fiddle) Connie Ellisor (fiddle) Carl Gorodetzky (fiddle) Bobby Hicks (fiddle) Byron Berline (fiddle) George Binkley III (fiddle) Richard Greene & Beryl Marriott (fiddle) Dennis Molchan (fiddle) Hal Smith (fiddle) Dale Potter (fiddle) Red Stanley (fiddle) Merle "Red" Taylor (fiddle) Horace "Benny" Williams (fiddle) Tommy Williams Jr. (fiddle) Roy Christensen (cello) Joel Price (bass/vocals) Ernie Newton (bass/vocals) Mark Hembree (bass) Howard Watts (bass) Farris Coursey (drums) Joe Zinkan (bass)
Producer: Owen Bradley, Paul Cohen, Harry Silverstein and Walter Haynes, Photographer: Les Leverett, Designer: Mike Fink, Liner Notes: Mary Katherine Aldin, Engineer: Gavin Lurssen
[Notes]
So much has been said about the founding father of bluegrass music that it would be nice if there was an all-encompassing collection of Bill Monroe's music to accompany the legend. Although the almost-correctly titled Anthology comes close, there is still a wealth of Columbia and RCA-Victor recordings missing from this Decca-centric collection, which runs chronologically from 1950 to 1969 (with one final track from 1981). Unfortunately, this means that the classic lineup of Lester Flatt and Earl Scruggs, with fiddler Chubby Wise and bassist Howard Watts, is not represented. Still, bluegrass luminaries Vassar Clements, Jimmy Martin, Kenny Baker, Del McCoury, Peter Rowan, and many others, all drifted in and out of the Blue Grass Boys during their twenty-some years, and make appearances on classic tracks like "Sally Goodin," "Uncle Pen," "Blue Moon of Kentucky," and "New Mule Skinner Blues." All told, this may be the perfect collection of Monroe's work for Decca, but it falls only slightly short of being the Bill Monroe Anthology.-- AllMusic Review by Zac Johnson

Tony Rice: Plays And Sings Bluegrass

Rounder Records – CD 0253

Format: CD, Album
Country: US
Released: 1993
Genre: Folk, World, & Country
Style: Bluegrass
[Tracklist]
01 I've Waited As Long As I Can (2:58)
02 Brown Mountain Light (3:40)
03 How Mountain Girls Can Love (2:26)
04 Carolina Star (3:09)
05 Thunderclouds Of Love (2:50)
06 On And On (3:04)
07 This Morning At Nine (2:18)
08 I Wonder Where You Are Tonight (3:12)
09 Galveston Flood (3:28)
10 Will You Be Loving Another Man (3:01)
11 Girl From The North Country (4:19)
12 Ain't Nobody Gonna Miss Me When I'm Gone (2:50)
13 I'll Stay Around (3:21)
[Credits]
Tony Rice (guitar/vocals) Bill Emerson (banjo/tenor vocals/baritone vocals) Jimmy Gaudreau (mandolin/baritone vocals) John Duffey (mandolin/tenor vocals) and Larry Rice (tenor vocals) Sam Bush (mandolin/baritone vocals) Mike Auldridge (mandolin/dobro/baritone vocals) Jerry Douglas (dobro) Vassar Clements (fiddle) Mark Schatz (bass) Producers: Bill Wolf and Anthony Rice, Photographer: Tim Talley, Engineer: David Glasser
[Notes]
Tony Rice, one of the most innovative guitarists to emerge from the "third generation" of bluegrass musicians, returns to his roots on TONY RICE PLAYS AND SINGS BLUEGRASS, his first real bluegrass album since 1977. This collection of classics, mostly from the '50s and '60s, is given an exuberant reading by Rice and his band of bluegrass veterans. Rice's lead vocals evoke the "high lonesome" sound of Bill Monroe. His guitar work is stunning in its attack, rhythmic intensity, and choice of notes--his solo on Lester Flatt's "I'll Stay Around" twists and turns, hits a few pungent blue notes, and is gone, all in eight bars, while the guitar break on "Thunderclouds of Love" explodes in a flurry of notes and slurred jazz chords. Dobro star Jerry Douglas adds his unmistakable fluid touch. Bill Emerson, a founding member of the Country Gentlemen, is on hand to play some hellified banjo and to pass the torch. Balancing respect for tradition with modern virtuosity and willingness to take risks, TONY RICE PLAYS AND SINGS BLUEGRASS is about as good as it gets. -- AllMusic Review by AllMusic

John Hartford: Aereo-Plain

Warner Bros. Records WS-1916

Format: Vinyl, LP, Album
Country: US
Released: Sep 1971
Genre: Folk, World, & Country
Style: Bluegrass, Country, Folk
[Tracklist]
A1 Turn Your Radio On (1:17)
A2 Steamboat Whistle Blues (3:23)
A3 Back In The Goodle Days (3:38
A4 Up On The Hill Where They Do The Boogie (2:40)
A5 Boogie (1:12)
A6 First Girl I Loved (4:32)
A7 Presbyterian Guitar (2:01)
B1 With A Vamp In The Middle (3:25)
B2 Symphony Hall Rag (2:45)
B3 Because Of You (0:59)
B4 Steam Powered Aereo Plane (3:40)
B5 Holding (1:46)
B6 Tear Down The Grand Ole Opry (3:26)
B7 Leather Britches (1:58)
B8 Station Break (0:15)
B9 Turn Your Radio On (2:15)
[Credits]
John Hartford (banjo/guitar/fiddle/vocals) Vassar Clements (fiddle/cello/viola/vocals) Norman Blake (guitar/mandolin/vocals) Tut Taylor (dobro/vocals) Randy Scruggs (bass/vocals)
Producer: David Bromberg, Photographer: Peter Amf, Liner notes: Sam Bush, Engineers: Warren Dewey, Claude Hill & Toby Mountain
[Notes]
The music on Aereo-Plain is a blend of traditional bluegrass musicianship, and the hippie spirit of the '70s. The album sold so poorly that Warner Bros. decided to devote no promotion at all to Hartford's next release Morning Bugle. Nevertheless, Aereo-Plain has been called the forerunner of the genre now known as "Newgrass". Hartford subsequently asked to be released from his contract and later signed with Flying Fish Records. The other members of the Aereo-Plain Band were bluegrass veterans Norman Blake, Vassar Clements, Tut Taylor, and Randy Scruggs. The sessions were controlled but relaxed, as Taylor commented, "John let us play what we wanted to play. 'Cause that's one of the beautiful parts about it—he just let us get in there and pick." Producer David Bromberg recounted, "We'd sit around and smoke pot and play "Sally Goodin" for an hour and a half. That approach kind of became, after awhile, newgrass." Hartford instructed Bromberg to "let the tapes roll, we don't want to hear playbacks until you've put the master together." --Wikipedia

Nitty Gritty Dirt Band: Stars And Stripes Forever

United Artists Records UA-LA184-J2

Format: 2xVinyl, LP, Album, Gatefold
Country: US
Released: 1974
Genre: Folk, World, & Country
Style: Bluegrass, Country Rock, Folk Rock, Country
[Tracklist]
A1 Jambalaya (On The Bayou) (1:43)
A2 Dirt Band Interview (3:39)
A3 Cosmic Cowboy (Part 1) (3:21)
A4 Aluminum Record Award (1:31)
A5 Fish Song (3:50)
A6 Mr. Bojangles (3:46)
B1 Vassar Clements Interview (3:56)
B2 Listen To The Mockingbird (2:47)
B3 The Sheik Of Araby (2:08)
B4 Resign Yourself To Me (2:40)
B5 Dixie Hoedown (2:27)
B6 Cripple Creek (0:54)
B7 The Mountain Whipporwill (Or, How Hillbilly Jim Won TheGreat Fiddler's Prize) (7:07)
C1 Honky Tonkin' (2:00)
C2 House At Pooh Corner (2:54)
C3 Buy For Me The Rain (2:32)
C4 Oh Boy (2:50)
C5 Teardrops In My Eyes (2:11)
C6 Glocoat-Blues (3:11)
D1 Stars And Stripes Forever (0:38)
D2 Battle Of New Orleans (2:58)
D3 It Came From The '50s (Blast From The Past) (6:46)
D4 My True Story (3:08)
D5 Diggy Liggy Lo (3:52)
[Credits]
Jimmie Fadden (drums/harmonica) Jeff Hanna (bass/drums/washboard) Jimmy Ibbotson (accordion/bass/drums/keyboards/piano) John McEuen (banjo/accordion/fiddle/mandolin) Vassar Clements (fiddle) Les Thompson (bass/guitar/mandolin) Doug Journigan (dobro)
Coordinator: Dave Neckar, Director: William E. McEuen, Painters: Terry Schoonhoven and Vic Henderson, Photographers: Alice McEuen, Bill Higgins, Kansas Film Works, Kerwin Plevka, William E. McEuen, William Estabrook and Win Muldrow, Engineers: Dino Lappas, Michael Denecke and Gary Mullen
[Notes]
In many ways, the mixed collection of live and studio recordings on Stars & Stripes Forever accomplished for the Nitty Gritty Dirt Band and rock music what Sweetheart of the Rodeo failed to do for or with the Byrds, showing the rock band plunging deeply into country music. Two years in the making, it incorporated new studio cuts and live tracks recorded at five concerts over a two-year period, as well as interview material with guest fiddle player Vassar Clements. The mix works better than just about any genuine country (as opposed to country-rock) effort ever done by a rock band, mostly because the band was so careful in their recording and editing, and they gave themselves time to get this stuff just the way they wanted it. Beyond the excellent concert renditions of "Mr. Bojangles" or "The Battle of New Orleans" (which became a single in the wake of this album), and covers of Hank Williams songs and numerous traditional tunes, listeners found they'd walked in on something very deep and profound, tapping into a special creative process. Whatever the reason, this album gave the public more than its money's worth and was a success, charting higher than any other record the group ever released. It still packs lots of power. --AllMusic Review by Bruce Eder

Will The Circle Be Unbroken: Nitty Gritty Dirt Band

Capitol Records 7243-5-35148-2-2

Format: 2×CD, Album, Reissue, Remastered
Country: US
Released: 2002
Genre: Folk, World, & Country
Style: Folk, Bluegrass
[Tracklist]
1-01 Grand Ole Opry Song (3:10)
1-02 Keep On The Sunny Side (4:26)
1-03 Nashville Blues (3:15)
1-04 You Are My Flower (3:39)
1-05 The Precious Jewel (4:09)
1-06 Dark As A Dungeon (2:47)
1-07 Tennessee Stud (4:50)
1-08 Black Mountain Rag (2:40)
1-09 Wreck On The Highway (3:25)
1-10 The End Of The World (3:54)
1-11 I Saw The Light (4:21)
1-12 Sunny Side Of The Mountain (2:50)
1-13 Nine Pound Hammer (2:53)
1-14 Losin' You (Might Be The Best Thing Yet) (2:49)
1-15 Honky Tonkin' (2:32)
1-16 You Don't Know My Mind (2:47)
1-17 My Walkin' Shoes (2:52)
2-01 Lonesome Fiddle Blues (2:43)
2-02 Cannonball Rag (1:16)
2-03 Avalanche (2:52)
2-04 Flint Hill Special (2:13)
2-05 Togary Mountain (2:28)
2-06 Earl's Breakdown (2:37)
2-07 Orange Blossom Special (2:12)
2-08 Wabash Cannonball (2:03)
2-09 Lost Highway (3:48)
2-10 Doc Watson & Merle Travis: First Meeting (Dialogue) (1:52)
2-11 Way Downtown (3:35)
2-12 Down Yonder (3:45)
2-13 Pins And Needles (In My Heart) (2:54)
2-14 Honky Tonk Blues (2:23)
2-15 Sailin' On To Hawaii (2:09)
2-16 I'm Thinking Tonight Of My Blue Eyes (4:26)
2-17 I Am A Pilgrim (3:54)
2-18 Wildwood Flower (3:33)
2-19 Soldier's Joy (3:33)
2-20 Will The Circle Be Unbroken (4:48)
2-21 Both Sides Now (2:25)
[Previously Unreleased Tracks]
2-22 Foggy Mountain Breakdown (2:39)
2-23 Warming Up For "The Opry" (Talk) (2:43)
2-24 Sunny Side (Talk) (4:06)
2-25 Remember Me (1:39)
[Credits]
Roy Acuff (vocals) Maybelle Carter (autoharp/guitar/vocals) Doc Watson, Jimmy Martin, Merle Travis (guitar/vocals) Earl Scruggs (banjo/guitar) Vassar Clements (fiddle) Bashful Brother Oswald, Norman Blake (dobro) Randy Scruggs (autoharp/guitar) Junior Husky, Ellis Padgett (bass) Chet Flippo, Martha Flippo, Ray Martin, Tim Martin, Alice McEuen, Larry Murray, Gary Scruggs, Louise Scruggs, Steve Scruggs, Betty Travis (background vocals) Emmylou Harris, John Hiatt, Bruce Hornsby, Béla Fleck, Roger McGuinn (guest artists) NGDB: Bob Carpenter (accordion/piano/vocals) Jimmie Fadden (drums/harmonica) Jeff Hanna (guitar/mandolin/vocals) Jimmy Ibbotson (mandolin/accordion/vocals) John McEuen (banjo)
[Notes]
Will the Circle be Unbroken is a 1972 album by the Nitty Gritty Dirt Band with collaboration from many famous bluegrass and country-western players, including Roy Acuff, Mother Maybelle Carter, Doc Watson, Earl Scruggs, Merle Travis, Pete "Oswald" Kirby, Norman Blake, Jimmy Martin, and others. It also introduced fiddler Vassar Clements to a wider audience.

Earl Scruggs: I Saw The Light With Some Help From My Friends

Columbia KC-31354

Format: Vinyl, LP, Album
Country: US
Released: 1972
Genre: Folk, World, & Country
Style: Bluegrass
[Tracklist]
A1 Lonesome And A Long Way From Home: Earl Scruggs Revue (2:33)
A2 Silver Wings: Linda Ronstadt (3:25)
A3 It's A Picture From Life's Other Side: Arlo Guthrie (3:36)
A4 Motherless Child Blues: Tracy Nelson (4:29)
A5 Some Of Shelley's Blues: Nitty Gritty Dirt Band (2:44)
B1 Never Ending Song Of Love: Earl Scruggs Revue (2:44)
B2 Rock Salt And Nails: Linda Ronstadt & Tracy Nelson (3:20)
B3 The Banks Of The Ohio: Arlo Guthrie (3:25)
B4 Ring Of Fire: Linda Ronstadt (2:11)
B5 Propinquity: Nitty Gritty Dirt Band (2:17)
B6 I Saw The Light: Guest Artists (3:43)
[Credits]
Earl Scruggs (banjo) Linda Ronstadt, Arlo Guthrie, Tracy Nelson, Gary Scruggs, Jeff Hanna (lead vocals) Norman Blake (dobro) Vassar Clements (fiddle) Les Thompson (mandolin) Bob & Pauline Wilson (piano) Jody Maphis, Karl Himmel (drums) The Earl Scruggs Revue, The Nitty Gritty Dirt Band, Stacey Belson & Arloff Boguslavaki
Producer: Don Law, Designer: Bill Barnes, Photographer: Slick Lawson, Engineer: Charlie Bragg
[Notes]
When Earl Scruggs split with longtime collaborator and fellow Foggy Mountain Boy Lester Flatt in 1969, it was evident who of the pair had the more commercial aspirations. While Flatt remained firmly rooted in the bluegrass tradition, Scruggs, much like similar-minded artists such as the Nitty Gritty Dirt Band, Johnny Darrell, and the Dillards, sought to bridge the gap between pop, folk, and the old-timey sounds of yesteryear. I Saw the Light With Some Help from My Friends may sound like it was culled from the buckle of the "Bible Belt" (there are indeed a few spirituals), but the "friends" referenced in the title are merely saviors of the late-'60s/early-'70s country-folk movement. Scruggs gathered both family -- sons Gary, Randy, and Steve -- and contemporaries like Linda Ronstadt, Arlo Guthrie, Vassar Clements, Tracy Nelson, Norman Blake, and the aforementioned Dirt Band, to flesh out an album of covers both sublime (Merle Haggard's "Silver Wings") and surprising (Monkee Michael Nesmith's "Some of Shelley's Blues"). The musicianship is top-notch and the vocals, especially Ronstadt and Nelson -- Arlo Guthrie will always be an acquired taste for some -- are warm and soulful, resulting in one of the more lucid and enjoyable examples of the crossover genre. (by James Christopher Monger)

Old & In The Way

Round Records RX 103

Format: Vinyl, LP, Album, Reissue
Country: United States
Released: Jan 01, 1975
Genre: Folk, World, & Country
Style: Bluegrass
[Tracklist]
A1 Pig In A Pen
A2 Midnight Moonlight
A3 Old And In The Way
A4 Konckin On Your Door
A5 The Hobo Song
B1 Panama Red
B2 Wild Horses
B3 Kissimmee Kid
B4 White Dove
B5 Land of The Navajo
[Credits]
Jerry Garcia (vocals/banjo) Peter Rowan (vocals/guitar) David Grisman (vocals/mandolin) Vassar Clements (fiddle) John Kahn (bass)
Produced by: David Grisman, Artwork: Greg Irons
[Notes]
The first release from Jerry Garcia's short-lived backcountry bluegrass act was this 1973 recording that also highlighted the amazing skills of mandolin player David Grisman. The quintet actually released only this record, recorded at a series of performances in 1973, but the sound caught on with Grateful Dead fans and the record actually built up the group's legacy long after they disbanded. The songs themselves, mostly penned by guitarist Peter Rowan and Grisman as well as a handful of traditional numbers and even a revamped version of the Rolling Stones' classic "Wild Horses," are delivered with the sincere reverence of true bluegrass fanatics. Soaring multi-part harmonies; fiddle, guitar, banjo, bass, and mandolin lines that seamlessly intertwine with a good-time feel; and exceptionally solid musicianship round out the ten-track effort. Fans of the Grateful Dead's jolly throwback tunes should already have this in their collection, but even those put off by the member's psychedelic resumés will find that Old & in the Way is nothing of the sort. This is the sound of purists re-creating the music they grew up with and it's both enjoyable and inspiring to listen to. Like American Beauty and Workingman's Dead, this record showcases Garcia going back to his roots, and it shows that he and his buddies have more than the chops required to live up to their legend. -- AllMusic Review by Peter J. D'Angelo

Earl Scruggs And The Earl Scruggs Revue: Live At Kansas State

Columbia KC-31758

Format: Vinyl, LP, Album
Country: United States
Released: 1972
Genre: Folk, World, & Country
Style: Bluegrass, & Progressive country
[Tracklist]
A1 T For Texas
A2 Bound In Jail All Night Long
A3 Rambling 'Round Your City
A4 Sally Gooding
A5 Most Likely You Go Your Way (And I'll Go Mine)
B1 Carolina Boogie
B2 Everybody Wants To Go To Heaven
B3 You Ain't Going Nowhere
B4 Both Sides Now
B5 Good Woman's Love
B6 Bugle Call Rag
B7 Foggy Mountain Breakdown
[Credits]
Earl Scruggs (banjo) Gary Scruggs (bass/harmonica/vocals) Randy Scruggs (guitar) Vassar Clements (fiddle) Josh Graves (dobro) Bob Wilson (piano) Jody Maphis (drums)
Producer: Ron Bledsoe
[Notes]
日本盤「アール・スクラッグス・レビュー・ライブ！」（CBSソニー SOPL-147）1972年

Bill Keith‎– Something Auld, Something Newgrass, Something Borrowed, Something Bluegrass

Rounder Records‎ RB-1

Format: Vinyl, LP, Album
Country: United States
Released: 1976
Genre: Folk, World, & Country
Style: Bluegrass
[Tracklist]
A1 No Expectations
A2 Green Mountain Hop
A3 I'll Stay Around
A4 Crazy Creek
A5 Pain In My Heart
A6 Farewell Blues
B1 Caravan
B2 Detour
B3 Sugar Foot Rag
B4 Jordu
B5 Rickett's Hornpipe
B6 Auld Lang Syne
[Credits]
Bill Keith (banjo) Jim Rooney (guitar/vocals) Tony Rice (guitar) Vassar Clements (fiddle) Tom Gray (bass) Ken Kosek (banjo/piano) David Grisman (mandolin) Al Jones (vocals: A5)
Liner Notes: Tony Trischka

Will The Circle Be Unbroken: Nitty Gritty Dirt Band

Liberty Records LLP-9027C

Format: 3 x Vinyl, LP, Album, Gatefold with separate gatefold insert
Country: United States
Released: 1972
Genre: Folk, World, & Country
Style: Bluegrass, & Country
[Tracklist]
A1 Grand Ole Opry Song (2:59)
A2 Keep On The Sunny Side (3:35)
A3 Nashville Blues (3:10)
A4 You Are My Flower (3:35)
A5 The Precious Jewel (3:30)
A6 Dark As A Dungeon (2:45)
B1 Tennessee Stud (4:22)
B2 Black Mountain Rag (2:10)
B3 The Wreck On The Highway (3:24)
B4 The End Of The World (3:53)
B5 I Saw The Light (3:45)
C1 Sunny Side Of The Mountain (2:23)
C2 Nine Pound Hammer (2:14)
C3 Losin' You (Might Be The Best Thing Yet) (2:44)
C4 Honky Tonkin' (2:19)
C5 You Don't Know My Mind (2:45)
C6 My Walkin' Shoes (2:02)
D1 Lonesome Fiddle Blues (2:41)
D2 Cannonball Rag (1:15)
D3 Avalanche (2:50)
D4 Flint Hill Special (2:12)
D5 Togary Mountain (2:25)
D6 Earl's Breakdown (2:34)
D7 Orange Blossom Special (2:14)
D8 Wabash Cannonball (2:00)
E1 Lost Highway (3:37)
E2 Doc Watson & Merle Travis: First Meeting (Dialogue) (1:48)
E3 Way Downtown (3:30)
E4 Down Yonder (2:58)
E5 Pins And Needles (In My Heart) (2:53)
E6 Honky Tonk Blues (2:22)
E7 Sailin' On To Hawaii (2:00)
F1 I'm Thinking Tonight Of My Blue Eyes (4:25)
F2 I Am A Pilgrim (2:55)
F3 Wildwood Flower (3:34)
F4 Soldier's Joy (2:05)
F5 Will The Circle Be Unbroken (4:50)
F6 Both Sides Now (2:19)
[Credits]
Roy Acuff (vocals) Maybelle Carter (autoharp/guitar/vocals) Doc Watson, Jimmy Martin, Merle Travis (guitar/vocals) Earl Scruggs (banjo/guitar) Vassar Clements (fiddle) Bashful Brother Oswald, Norman Blake (dobro) Randy Scruggs (autoharp/guitar) Junior Husky, Ellis Padgett (bass) Chet Flippo, Martha Flippo, Ray Martin, Tim Martin, Alice McEuen, Larry Murray, Gary Scruggs, Louise Scruggs, Steve Scruggs, Betty Travis (background vocals) Emmylou Harris, John Hiatt, Bruce Hornsby, Béla Fleck, Roger McGuinn (guest artists) Jimmie Fadden, Jeff Hanna, Jimmy Ibbotson, John McEuen, Les Thompson (Nitty Gritty Dirt Band)
[Notes]
Will the Circle be Unbroken is a 1972 album by the Nitty Gritty Dirt Band with collaboration from many famous bluegrass and country-western players, including Roy Acuff, Mother Maybelle Carter, Doc Watson, Earl Scruggs, Merle Travis, Pete "Oswald" Kirby, Norman Blake, Jimmy Martin, and others. It also introduced fiddler Vassar Clements to a wider audience.