May 8, 2019

Nitty Gritty Dirt Band: Stars And Stripes Forever

United Artists Records UA-LA184-J2

Format: 2xVinyl, LP, Album, Gatefold
Country: US
Released: 1974
Genre: Folk, World, & Country
Style: Bluegrass, Country Rock, Folk Rock, Country
[Tracklist]
A1 Jambalaya (On The Bayou) (1:43)
A2 Dirt Band Interview (3:39)
A3 Cosmic Cowboy (Part 1) (3:21)
A4 Aluminum Record Award (1:31)
A5 Fish Song (3:50)
A6 Mr. Bojangles (3:46)
B1 Vassar Clements Interview (3:56)
B2 Listen To The Mockingbird (2:47)
B3 The Sheik Of Araby (2:08)
B4 Resign Yourself To Me (2:40)
B5 Dixie Hoedown (2:27)
B6 Cripple Creek (0:54)
B7 The Mountain Whipporwill (Or, How Hillbilly Jim Won TheGreat Fiddler's Prize) (7:07)
C1 Honky Tonkin' (2:00)
C2 House At Pooh Corner (2:54)
C3 Buy For Me The Rain (2:32)
C4 Oh Boy (2:50)
C5 Teardrops In My Eyes (2:11)
C6 Glocoat-Blues (3:11)
D1 Stars And Stripes Forever (0:38)
D2 Battle Of New Orleans (2:58)
D3 It Came From The '50s (Blast From The Past) (6:46)
D4 My True Story (3:08)
D5 Diggy Liggy Lo (3:52)
[Credits]
Jimmie Fadden (drums/harmonica) Jeff Hanna (bass/drums/washboard) Jimmy Ibbotson (accordion/bass/drums/keyboards/piano) John McEuen (banjo/accordion/fiddle/mandolin) Vassar Clements (fiddle) Les Thompson (bass/guitar/mandolin) Doug Journigan (dobro)
Coordinator: Dave Neckar, Director: William E. McEuen, Painters: Terry Schoonhoven and Vic Henderson, Photographers: Alice McEuen, Bill Higgins, Kansas Film Works, Kerwin Plevka, William E. McEuen, William Estabrook and Win Muldrow, Engineers: Dino Lappas, Michael Denecke and Gary Mullen
[Notes]
In many ways, the mixed collection of live and studio recordings on Stars & Stripes Forever accomplished for the Nitty Gritty Dirt Band and rock music what Sweetheart of the Rodeo failed to do for or with the Byrds, showing the rock band plunging deeply into country music. Two years in the making, it incorporated new studio cuts and live tracks recorded at five concerts over a two-year period, as well as interview material with guest fiddle player Vassar Clements. The mix works better than just about any genuine country (as opposed to country-rock) effort ever done by a rock band, mostly because the band was so careful in their recording and editing, and they gave themselves time to get this stuff just the way they wanted it. Beyond the excellent concert renditions of "Mr. Bojangles" or "The Battle of New Orleans" (which became a single in the wake of this album), and covers of Hank Williams songs and numerous traditional tunes, listeners found they'd walked in on something very deep and profound, tapping into a special creative process. Whatever the reason, this album gave the public more than its money's worth and was a success, charting higher than any other record the group ever released. It still packs lots of power. --AllMusic Review by Bruce Eder

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