November 25, 2021

Hard Times Come Again No More Vol. 2

Yazoo – 2037
Early American Rural Songs Of Hard Times And Hardships
Yazoo – 2037

Format: CD, Compilation
Country: US
Released: 1998
Genre: Blues, Folk, World, & Country
Style: Country Blues, Hillbilly
[Tracklist]
01 Price of Cotton Blues: Allen Brothers (02:42)
02 Keno, The Rent Man: The Cofer Brothers (03:01)
03 Bad Time Blues: Barbecue Bob (03:15)
04 Wreck of the Tennessee Gravey Train: Sam McGee (03:11)
05 The Arkansas Sheik: Clayton McMichen & Riley Puckett (03:12)
06 Away from Home: Jim Hill & Peg Leg Howell (03:00)
07 I'm Satisfied: Earl Johnson (02:59)
08 Got the Farm Land Blues: The Carolina Tar Heels (03:19)
09 Times Is Tight Like That: Bo Carter & Walter Vinson (03:15)
10 Weave Room Blues: Fisher Hendley (02:32)
11 Boll Weevil: Alvin Conder & W.A. Lindsey (03:00)
12 Providence Help the Poor People: Joe Williams (03:09)
13 The Tramp: McGee Brothers (02:49)
14 Cotton Mill Colic: David McCarn (02:34)
15 Starvation Blues: Charley Jordan (03:17)
16 Broke Down Section Hand: Ernest V. Stoneman (03:05)
17 Little Old Sod Shanty: Jules Allen (02:58)
18 Down South Blues: Ernest V. Stoneman (03:10)
19 No One's Hard up But Me: Red Brush Rowdies (02:44)
20 Cotton Mill Blues: Lee Brothers Trio (03:02)
21 No Dough Blues: Blind Blake (03:05)
22 The Northern Starvers Are Returning Home: Bob Carter & Charlie McCoy (03:27)
23 Them Good Old Times Are Coming Back Again: Jim Baird (03:30)
[Credits]
Producer: Richard Nevins, Liner Notes: Don Kent, Designer: Joan Pelosi
[Notes]
With the unlikely sound of a kazoo, the Allen Brothers kick off this fine volume of hard-time blues collected from the '20s and '30s. More tongue-in-cheek than its predecessor, this volume is not all moaning and weeping. Uncle Dave Macon & Sam McGhee create a joyful sound with dueling banjos on "Wreck of the Tennessee Gravey Train" and Earl Johnson & his Dixie Entertainers are hilarious on "I'm Satisfied." The disc proves some things never change: you have to laugh sometimes to keep from crying.-- AllMusic Review by Tim Sheridan

No comments: