Folkways Records FA-2408
Label: Folkways Records FA-2408
Format: Vinyl, LP, Album
Country: US
Released: 1964
Genre: Folk, World, & Country
Style: Bluegrass
[Tracklist]
A1 Little Maggie (3:11)
A2 Somebody Loves You Darlig (2:27)
A3 New Camptown Races (2:32)
A4 Are You Afraid To Die (2:41)
A5 Sweetheart You Done Me Wrong (2:57)
A6 Are You Washed In The Blood (2:47)
B1 Deep Elem Blues (2:31)
B2 Ground Hog (2:03)
B3 The Little Girl And The Dreadful Snake (3:21)
B4 Catnip (1:48)
B5 I'm Just Here To Get My Baby Out Of Jail (2:15)
B6 Shake Hands With Mother Again (2:42)
[Credits]
Red Allen (guitar/vocals) Frank Wakefield (mandolin/vocals) Pete Roberts (banjo/vocals) Bill Keith (banjo/vocals) Tom Morgan (bass/vocals) Fred Weisz (bass)
Producers: David Grisman and Peter K. Siegel, Designer: Nancy Grilikhes and Julian Winston
[Notes]
Allen and Wakefield's music ranges from strictly traditional songs like "Little Maggie" to pieces introduced by Bill Monroe to sacred material, all with their hallmark close harmonies and tight instrumental backing. Like Monroe and Roscoe Holcomb, Allen's voice embodies the "high lonesome" sound.
Format: Vinyl, LP, Album
Country: US
Released: 1964
Genre: Folk, World, & Country
Style: Bluegrass
[Tracklist]
A1 Little Maggie (3:11)
A2 Somebody Loves You Darlig (2:27)
A3 New Camptown Races (2:32)
A4 Are You Afraid To Die (2:41)
A5 Sweetheart You Done Me Wrong (2:57)
A6 Are You Washed In The Blood (2:47)
B1 Deep Elem Blues (2:31)
B2 Ground Hog (2:03)
B3 The Little Girl And The Dreadful Snake (3:21)
B4 Catnip (1:48)
B5 I'm Just Here To Get My Baby Out Of Jail (2:15)
B6 Shake Hands With Mother Again (2:42)
[Credits]
Red Allen (guitar/vocals) Frank Wakefield (mandolin/vocals) Pete Roberts (banjo/vocals) Bill Keith (banjo/vocals) Tom Morgan (bass/vocals) Fred Weisz (bass)
Producers: David Grisman and Peter K. Siegel, Designer: Nancy Grilikhes and Julian Winston
[Notes]
Allen and Wakefield's music ranges from strictly traditional songs like "Little Maggie" to pieces introduced by Bill Monroe to sacred material, all with their hallmark close harmonies and tight instrumental backing. Like Monroe and Roscoe Holcomb, Allen's voice embodies the "high lonesome" sound.
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