RBF Records RBF-16
Format: Vinyl, LP, Compilation
Country: US
Released: 1967
Genre: Blues
Style: Chicago Blues
[Tracklist]
A1 When I Had Money: Big Bill Broonzy
A2 I've Got To Dig You: Big Bill Broonzy
A3 Keep Your Hands Off Her: Big Bill Broonzy
A4 Hold Me Blues: Memphis Minnie
A5 Killer Diller: Memphis Minnie
A6 New Louise Louise Blues: Johnnie Temple
A7 So Lonely And Blue: Johnnie Temple
B1 Key To The Highway: Jazz Gillum
B2 Go Back To The Country: Jazz Gillum
B3 Time Blues: Big Maceo Winter
B4 Going Down Slow: St. Louis Jimmy (Jimmy Oden)
B5 Come On In: Washboard Sam
B6 Yes! I Got Your Woman: Washboard Sam
B7 Just Got To Hold You: Washboard Sam
[Credits]
Liner Notes: Samuel Charters, Design: Ronald Clyne, Photography: Ann Charters
[Notes]
As the Depression's early days brought Southern musicians to Northern cities, the Chicago blues scene absorbed and incorporated these new arrivals. Ensembles grew, the blues became more popular, and individual musicians' styles combined to form a sound that reflected musicians' familiarity with each other and the creativity each brought to the session.
Country: US
Released: 1967
Genre: Blues
Style: Chicago Blues
[Tracklist]
A1 When I Had Money: Big Bill Broonzy
A2 I've Got To Dig You: Big Bill Broonzy
A3 Keep Your Hands Off Her: Big Bill Broonzy
A4 Hold Me Blues: Memphis Minnie
A5 Killer Diller: Memphis Minnie
A6 New Louise Louise Blues: Johnnie Temple
A7 So Lonely And Blue: Johnnie Temple
B1 Key To The Highway: Jazz Gillum
B2 Go Back To The Country: Jazz Gillum
B3 Time Blues: Big Maceo Winter
B4 Going Down Slow: St. Louis Jimmy (Jimmy Oden)
B5 Come On In: Washboard Sam
B6 Yes! I Got Your Woman: Washboard Sam
B7 Just Got To Hold You: Washboard Sam
[Credits]
Liner Notes: Samuel Charters, Design: Ronald Clyne, Photography: Ann Charters
[Notes]
As the Depression's early days brought Southern musicians to Northern cities, the Chicago blues scene absorbed and incorporated these new arrivals. Ensembles grew, the blues became more popular, and individual musicians' styles combined to form a sound that reflected musicians' familiarity with each other and the creativity each brought to the session.
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