Format: 6-CD, Compilation, Enhanced, Reissue, Box Set
Country: United States
Released: 1997
Genre: Blues, Folk, World, & Country
Style: Folk, Cajun, Country, Gospel, Blues
[Tracklist]
Disk One
101 Henry Lee: Dick Justice (3:28)
102 Fatal Flower Garden: Nelstone's Hawaiians (2:58)
103 The House Carpenter: Clarence Ashley (3:16)
104 Drunkard's Special: Coley Jones (3:16)
105 Old lady and the Devil: Bill and Belle Reed (3:05)
106 The Butcher's Boy: Buell Kazee (3:05)
107 The Wagoner's Lad: Buell Kazee (3:05)
108 King Kong Kitchie Kitchie Ki-me-o: Chubby Parker (3:09)
109 Old Shoes And Leggins: Uncle Eck Dunford (3:01)
110 Willie Moore: Richard Burnett and Leonard Rutherford (3:16)
111 A Lazy Farmer Boy: Buster Carter and Preston Young (3:00)
112 Peg And Awl: The Carolina Tar Heels (2:59)
113 Ommie Wise: G. B. Grayson (3:12)
114 My Name Is John Johanna: Kelly Harrell and the Virginia String Band (3:13)
Disk Two
201 Bandit Cole Younger: Edward L. Crain (2:57)
202 Charles Giteau: Kelly Harrel And the Virginia String Band (3:05)
203 John Hardy Was A Desperate Little Man: The Carter Family (2:57)
204 Gonna Die With My Hammer In My hand : The Williamson Brothers and Curry (3:26)
205 Stackalee (Stagger Lee): Frank Hutchison (3:01)
206 White House blues Charlie Poole and the North Carolina Ramblers (3:31)
207 Frankie: Mississippi John Hurt (3:28)
208 When That Great Ship Went Down (The Titanic): William and Versey Smith (2:58)
209 Engine 14(3 The Carter Family (3:19)
210 Kassie Jones, Parts 1 and (2: Furry Lewis (6:16)
211 Down On Penny's Farm: The Bently Boys (2:50)
212 Mississippi Boweavil (Boll Weevil) Blues: The Masked Marvel (3:09)
213 Got The Farm Land Blues: The Carolina Tar Heels (3:17)
Disk Three
301 Sail Away Lady: Uncle Bunt Stephens (2:58)
302 The Wild Wagoner: Jilson Setters (3:17)
303 Wake Up Jacob: Prince Albert Hunt's Texas Ramblers (2:55)
304 La Danseuse: Delma Lachney and Blind Uncle Gaspard (2:56)
305 Georgia Stomp: Andrew and Jim Baxter (2:47)
306 Brilliancy Medley: Eck Robertson and Family (3:01)
307 Indian War Whoop: Hoyt Ming and the Pep Steppers (3:13)
308 Old Country Stomp: Henry Thomas (2:55)
309 Old Dog Blue: Jim Jackson (3:04)
310 Saut Crapaud: Columbus Fruge (2:49)
311 Acadian One-Step: Joseph Falcon (3:00)
312 Home Sweet Home: The Breaux Freres (3:00)
313 The Newport Blues: The Cincinnati Jug Band (2:58)
314 Moonshiner's Dance Part One: Frank Cloutier and the Victoria Cafe Orchestra (2:40)
Disk Four
401 Must Be Born Again: Rev. J.M. Gates (1:31)
402 Oh Death Where Is Thy Sting: Rev. J.M. Gates (1:29)
403 Rocky Road: Alabama Sacred Harp Singers (2:45)
404 Present Joys: Alabama Sacred Harp Singers (2:53)
405 This Song of Love: Middle Georgia Singing Convention No. 1 (2:58
406 Judgement: Rev. Sister Mary Nelson (2:25
407 He Got Better Things For You: Memphis Sanctified Singers (2:54)
408 Since I Laid My Burden Down: The Elders McIntorsh and Edwards' Sanctified Singers (3:19)
409 John The Baptist: Rev. Moses Mason (3:05)
410 Dry Bones: Bascom Lamar Lunsford (3:00)
411 John The Revelator: Blind Willie Johnson (3:21)
412 Little Moses: The Carter Family (3:14)
413 Shine On Me: Ernest Phipps and His Holiness Singers (3:03)
414 Fifty Miles Of Elbow Room: Rev. F.M. McGee (2:43
415 I'm In The Battlefield For My Lord: Rev. D.C. Rice and His Sanctified Congregation (3:20)
Disk Five
501 The Coo Coo Bird: Clarence Ashley (2:56)
502 East Virginia: Buell Kazee (3:01)
503 Minglewood Blues: Cannon's Jug Stompers with Noah Lewis (3:44)
504 I Woke Up One Morning In May: Didier Hébert (3:04)
505 James Alley Blues: Richard "Rabbit" Brown (3:07)
506 Sugar Baby: Dock Boggs (2:58)
507 I Wish I Was A Mole In The Ground: Bascom Lamar Lunsford (3:21)
508 The Mountaineer's Courtship: Ernest and Hattie Stoneman (2:44)
509 The Spanish Merchant's Daughter (No, Sir No): The Stoneman Family (3:18)
510 Bob Lee Junior Blues: The Memphis Jug Band (3:11)
511 Single Girl, Married Girl: The Carter Family (2:47)
512 Le Vieux Soulard et Sa Femme: Cleoma Breaux and Joseph Falcon (3:10)
513 Rabbit Foot Blues: Blind Lemon Jefferson (2:57)
514 Expressman Blues: Sleepy John Estes and Yank Rachell (3:02)
Disk Six
601 Poor Boy Blues: Ramblin' Thomas (2:24)
602 Feather Bed: Cannon's Jug Stompers (3:16)
603 Country Blues: Dock Boggs (2:59
604 99 Year Blues: Julius Daniels (3:07)
605 Prison Cell Blues: Blind Lemon Jefferson (2:47)
606 See That My Grave Is Kept Clean: Blind Lemon Jefferson (2:55)
607 C'est Si Triste Sans Lui: Cleoma Breaux and Joseph Falcon (3:01)
608 Way Down the Old Plank Road: Uncle Dave Macon (3:01)
609 Buddy Won't You Roll Down the Line: Uncle Dave Macon (3:15)
610 Spike Driver Blues: Mississippi John Hurt (3:17)
611 K.C. Moan: The Memphis Jug Band (2:33)
612 Train on the Island: J.P. Nestor (3:00)
613 The Lone Star Trail: Ken Maynard (3:15)
614 Fishing Blues: Henry Thomas (2:45)
[Credits]
Producer: Harry Everett Smith, Designer: Scott Stowell, Mastering Engineer: David Glasser, Pete Reiniger & Charlie Pilzer, Liner Notes: Greil Marcus, Neil Rosenberg, Luis Kemnitzer, Jon Pankake, Peter Stampfel, Luc Sante, Kip Lornell, Eric Von Schmidt, John Fahey & Jeff Place
[Notes]
The Anthology of American Folk Music, edited by Harry Smith (1923–1991), is one of the most influential releases in the history of recorded sound. Originally issued by Folkways Records in 1952, the Anthology brought virtually unknown parts of America's musical landscape recorded in the late 1920s and early 1930s to the public's attention. For more than half a century, the collection has profoundly influenced fans, ethnomusicologists, music historians, and cultural critics; it has inspired generations of popular musicians, including Bob Dylan, Joan Baez, Jerry Garcia, and countless others. Many of the songs included in the Anthology have now become classics, as has Harry Smith's unique "scientific/aesthetic handbook" of song notes and drawings. Reissued by Smithsonian Folkways Recordings in 1997, this deluxe 6-CD collector's boxed set contains a 96-page book featuring Harry Smith's original liner notes and essays by Greil Marcus and other noted writers, musicians, and scholars. "Anthology was our bible…. We all knew every word of every song on it, including the ones we hated. They say that in the 19th-century British Parliament, when a member would begin to quote a classical author in Latin the entire House would rise in a body and finish the quote along with him. It was like that." – Dave Van Ronk "Had he never done anything with his life but this Anthology, Harry Smith would still have borne the mark of genius across his forehead. I'd match the Anthology up against any other single compendium of important information ever assembled. Dead Sea Scrolls? Nah. I'll take the Anthology." – John Fahey "First hearing the Harry Smith Anthology of American Folk Music is like discovering the secret script of so many familiar musical dramas. Many of these actually turn out to be cousins two or three times removed, some of whom were probably created in ignorance of these original riches. It also occurred to me that as we are listening at a greater distance in time to a man or woman singing of their fairly recent past of the 1880s, we are fortunate that someone collected these performances of such wildness, straightforward beauty, and humanity." – Elvis Costello
Country: United States
Released: 1997
Genre: Blues, Folk, World, & Country
Style: Folk, Cajun, Country, Gospel, Blues
[Tracklist]
Disk One
101 Henry Lee: Dick Justice (3:28)
102 Fatal Flower Garden: Nelstone's Hawaiians (2:58)
103 The House Carpenter: Clarence Ashley (3:16)
104 Drunkard's Special: Coley Jones (3:16)
105 Old lady and the Devil: Bill and Belle Reed (3:05)
106 The Butcher's Boy: Buell Kazee (3:05)
107 The Wagoner's Lad: Buell Kazee (3:05)
108 King Kong Kitchie Kitchie Ki-me-o: Chubby Parker (3:09)
109 Old Shoes And Leggins: Uncle Eck Dunford (3:01)
110 Willie Moore: Richard Burnett and Leonard Rutherford (3:16)
111 A Lazy Farmer Boy: Buster Carter and Preston Young (3:00)
112 Peg And Awl: The Carolina Tar Heels (2:59)
113 Ommie Wise: G. B. Grayson (3:12)
114 My Name Is John Johanna: Kelly Harrell and the Virginia String Band (3:13)
Disk Two
201 Bandit Cole Younger: Edward L. Crain (2:57)
202 Charles Giteau: Kelly Harrel And the Virginia String Band (3:05)
203 John Hardy Was A Desperate Little Man: The Carter Family (2:57)
204 Gonna Die With My Hammer In My hand : The Williamson Brothers and Curry (3:26)
205 Stackalee (Stagger Lee): Frank Hutchison (3:01)
206 White House blues Charlie Poole and the North Carolina Ramblers (3:31)
207 Frankie: Mississippi John Hurt (3:28)
208 When That Great Ship Went Down (The Titanic): William and Versey Smith (2:58)
209 Engine 14(3 The Carter Family (3:19)
210 Kassie Jones, Parts 1 and (2: Furry Lewis (6:16)
211 Down On Penny's Farm: The Bently Boys (2:50)
212 Mississippi Boweavil (Boll Weevil) Blues: The Masked Marvel (3:09)
213 Got The Farm Land Blues: The Carolina Tar Heels (3:17)
Disk Three
301 Sail Away Lady: Uncle Bunt Stephens (2:58)
302 The Wild Wagoner: Jilson Setters (3:17)
303 Wake Up Jacob: Prince Albert Hunt's Texas Ramblers (2:55)
304 La Danseuse: Delma Lachney and Blind Uncle Gaspard (2:56)
305 Georgia Stomp: Andrew and Jim Baxter (2:47)
306 Brilliancy Medley: Eck Robertson and Family (3:01)
307 Indian War Whoop: Hoyt Ming and the Pep Steppers (3:13)
308 Old Country Stomp: Henry Thomas (2:55)
309 Old Dog Blue: Jim Jackson (3:04)
310 Saut Crapaud: Columbus Fruge (2:49)
311 Acadian One-Step: Joseph Falcon (3:00)
312 Home Sweet Home: The Breaux Freres (3:00)
313 The Newport Blues: The Cincinnati Jug Band (2:58)
314 Moonshiner's Dance Part One: Frank Cloutier and the Victoria Cafe Orchestra (2:40)
Disk Four
401 Must Be Born Again: Rev. J.M. Gates (1:31)
402 Oh Death Where Is Thy Sting: Rev. J.M. Gates (1:29)
403 Rocky Road: Alabama Sacred Harp Singers (2:45)
404 Present Joys: Alabama Sacred Harp Singers (2:53)
405 This Song of Love: Middle Georgia Singing Convention No. 1 (2:58
406 Judgement: Rev. Sister Mary Nelson (2:25
407 He Got Better Things For You: Memphis Sanctified Singers (2:54)
408 Since I Laid My Burden Down: The Elders McIntorsh and Edwards' Sanctified Singers (3:19)
409 John The Baptist: Rev. Moses Mason (3:05)
410 Dry Bones: Bascom Lamar Lunsford (3:00)
411 John The Revelator: Blind Willie Johnson (3:21)
412 Little Moses: The Carter Family (3:14)
413 Shine On Me: Ernest Phipps and His Holiness Singers (3:03)
414 Fifty Miles Of Elbow Room: Rev. F.M. McGee (2:43
415 I'm In The Battlefield For My Lord: Rev. D.C. Rice and His Sanctified Congregation (3:20)
Disk Five
501 The Coo Coo Bird: Clarence Ashley (2:56)
502 East Virginia: Buell Kazee (3:01)
503 Minglewood Blues: Cannon's Jug Stompers with Noah Lewis (3:44)
504 I Woke Up One Morning In May: Didier Hébert (3:04)
505 James Alley Blues: Richard "Rabbit" Brown (3:07)
506 Sugar Baby: Dock Boggs (2:58)
507 I Wish I Was A Mole In The Ground: Bascom Lamar Lunsford (3:21)
508 The Mountaineer's Courtship: Ernest and Hattie Stoneman (2:44)
509 The Spanish Merchant's Daughter (No, Sir No): The Stoneman Family (3:18)
510 Bob Lee Junior Blues: The Memphis Jug Band (3:11)
511 Single Girl, Married Girl: The Carter Family (2:47)
512 Le Vieux Soulard et Sa Femme: Cleoma Breaux and Joseph Falcon (3:10)
513 Rabbit Foot Blues: Blind Lemon Jefferson (2:57)
514 Expressman Blues: Sleepy John Estes and Yank Rachell (3:02)
Disk Six
601 Poor Boy Blues: Ramblin' Thomas (2:24)
602 Feather Bed: Cannon's Jug Stompers (3:16)
603 Country Blues: Dock Boggs (2:59
604 99 Year Blues: Julius Daniels (3:07)
605 Prison Cell Blues: Blind Lemon Jefferson (2:47)
606 See That My Grave Is Kept Clean: Blind Lemon Jefferson (2:55)
607 C'est Si Triste Sans Lui: Cleoma Breaux and Joseph Falcon (3:01)
608 Way Down the Old Plank Road: Uncle Dave Macon (3:01)
609 Buddy Won't You Roll Down the Line: Uncle Dave Macon (3:15)
610 Spike Driver Blues: Mississippi John Hurt (3:17)
611 K.C. Moan: The Memphis Jug Band (2:33)
612 Train on the Island: J.P. Nestor (3:00)
613 The Lone Star Trail: Ken Maynard (3:15)
614 Fishing Blues: Henry Thomas (2:45)
[Credits]
Producer: Harry Everett Smith, Designer: Scott Stowell, Mastering Engineer: David Glasser, Pete Reiniger & Charlie Pilzer, Liner Notes: Greil Marcus, Neil Rosenberg, Luis Kemnitzer, Jon Pankake, Peter Stampfel, Luc Sante, Kip Lornell, Eric Von Schmidt, John Fahey & Jeff Place
[Notes]
The Anthology of American Folk Music, edited by Harry Smith (1923–1991), is one of the most influential releases in the history of recorded sound. Originally issued by Folkways Records in 1952, the Anthology brought virtually unknown parts of America's musical landscape recorded in the late 1920s and early 1930s to the public's attention. For more than half a century, the collection has profoundly influenced fans, ethnomusicologists, music historians, and cultural critics; it has inspired generations of popular musicians, including Bob Dylan, Joan Baez, Jerry Garcia, and countless others. Many of the songs included in the Anthology have now become classics, as has Harry Smith's unique "scientific/aesthetic handbook" of song notes and drawings. Reissued by Smithsonian Folkways Recordings in 1997, this deluxe 6-CD collector's boxed set contains a 96-page book featuring Harry Smith's original liner notes and essays by Greil Marcus and other noted writers, musicians, and scholars. "Anthology was our bible…. We all knew every word of every song on it, including the ones we hated. They say that in the 19th-century British Parliament, when a member would begin to quote a classical author in Latin the entire House would rise in a body and finish the quote along with him. It was like that." – Dave Van Ronk "Had he never done anything with his life but this Anthology, Harry Smith would still have borne the mark of genius across his forehead. I'd match the Anthology up against any other single compendium of important information ever assembled. Dead Sea Scrolls? Nah. I'll take the Anthology." – John Fahey "First hearing the Harry Smith Anthology of American Folk Music is like discovering the secret script of so many familiar musical dramas. Many of these actually turn out to be cousins two or three times removed, some of whom were probably created in ignorance of these original riches. It also occurred to me that as we are listening at a greater distance in time to a man or woman singing of their fairly recent past of the 1880s, we are fortunate that someone collected these performances of such wildness, straightforward beauty, and humanity." – Elvis Costello
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